Louis Wain: Curious Cats
Paintings by the Victorian artists Louis Wain, borrowed from Bethlem Museum of the Mind in London.
Born in London in 1860, Louis Wain is best known for his psychedelic paintings of cats. He was a prolific artist, sometimes producing several hundred drawings a year. He illustrated around one hundred children’s books, and his work was regularly reproduced on postcards.
Wain’s life was not easy. Aged twenty when his father died, he was responsible for his mother and five unmarried sisters. Although his illustrations were popular, financially he was naïve, and exploited by publishers. Sadly his wife Emily died of breast cancer three years after their marriage. During her illness Wain sketched their kitten Peter to amuse her, and soon began to specialise in cat pictures. At first the cats were on all fours, but Wain soon began to paint them standing upright, in human clothes. Wain’s cats play musical instruments, drink tea, play cards, fish, smoke, and enjoy a night at the opera.
After his mother and then his eldest sister died, Wain became increasingly unstable. In 1924 he was certified ‘insane’ and admitted to a pauper ward of Springfield Mental Hospital in South London. After a public campaign, he was transferred to Bethlem and finally to Napsbury, near St Albans, where he remained until his death in 1939. Throughout his life in hospital Wain continued to draw and paint. His work is evidence of how his skills as an artist remained intact despite his erratic mental health.
Artists Under Fire: Remembering the Great War 1914 -1918
WW1 drawings and prints from the Ashmolean Museum
Saturday 17 March – Saturday 16 June 2018
Based on the rich collections of the Ashmolean Museum in Oxford, it showcases a range of rarely seen prints, drawings and watercolours revealing the effects of the war on soldiers and civilians alike, as seen through the eyes of contemporary artists. Dramatic depictions of diving bombers, devastated landscapes and action in the trenches, contrasted with scenes of life on the Home Front, make this a moving and educational display.
In addition to the works of art on paper, the exhibition presents nine commemorative medals from the Ashmolean’s Heberden Coin Room. These varied designs include work by German, French and Belgian artists, and reveal an unexpected colonial dimension, reminding us of the participation in the conflict of soldiers from Cameroon, Rhodesia and German East Africa. Together these works show how artists on all sides of the conflict responded with astonishing creativity to the horrors of the Great War.
Discovering Britain: Shell posters from the 1920s to the 1950s
Visit Britain: Vintage Posters from the Shell Heritage Art Collection
Saturday 2 December 2017 – Saturday 3 March 2018
This unique exhibition celebrated British landscape painting, through the posters commissioned by Shell for their highly successful advertising campaigns from the 1920s to the 1950s. The works showed reflected the diversity of artistic styles emerging in Britain after the First World War, with posters by well-known artists including Paul Nash, Vanessa Bell, Graham Sutherland and Duncan Grant.
The exhibition was on loan from The Shell Heritage Art Collection, based at the National Motor Museum, Beaulieu. It’s one of the most important collections of commercial art in Britain, spanning years of advertising campaigns.
The exhibition focused on the period when Shell’s advertising was driven by ideas of travel and discovery, featuring the slogans ‘See Britain First’ and ‘Visit Britain’s Landmarks’. The posters depicted quirky and interesting places to visit and encouraged drivers to jump into their cars and explore the British Isles.
Alongside more than thirty posters and original artworks, other material commissioned by Shell was displayed, including advertisements by Edward Bawden, county travel guides, and a film narrated by John Betjeman.
F L Griggs, Visions of England
Saturday 7 October – Saturday 18 November 2017
Frederick Landseer Griggs (1876-1938) was the son of a Hitchin baker, and grew up over the shop on High Street, attending schools on Bucklersbury and Bancroft, and then the new Hitchin Boys Grammar School. He later called Hitchin ‘one of the most beautiful small towns in England, set in one of her happiest counties’.
The exhibition was lent to us by the Ashmolean Museum, Oxford.